Debra L. Thornton, Ph.D.
email: thorntde@uvsc.edu
office: LA 126c
office hours: 11:30-1:00 T TH, and by appointment
phone: 863-8573

English 3530

American Literature 1920-1970

EXILE

You may wonder how the course differs from the lower-division survey you may have taken. This course attempts to give you more depth than an anthology, the staple of the lower-division course, provides. Reading a spectrum of representative book-length works and studying them carefully will help deepen your perspective of the literary period. Finally, you will have to do a major research paper with ample secondary sources for the course.

There are very few ground rules, and perhaps the only one you need to remember can be summarized in three or four words: "Read every word. Twice." A literary work gets its distinction from various other texts because, with repeated readings, the work accumulates meaning, and it bears further thought on the reader’s part. Great writers tend to be great thinkers, and their love of language is matched by the quality of their thoughts. Literature is timeless: a work that is too tied to its own time will always be a minor work however famous it may be in its day. Because you will be reading the products of people who love language on a word level, you should try to read on a word level. Similarly, their thoughts also merit your close attention and scrutiny. Finally, great literature elicits a response from the reader, so you will be writing about many of your perceptions about the pieces.

Texts

(* Texts that are available on the internet I did not order in book form)

* T.S. Eliot: Ash Wednesday and Four Quartets
Ernest Hemingway: A Farewell to Arms
Saul Bellow: Henderson the Rain King
Willa Cather: The Professor’s House
Eudora Welty: Collected Short Stories
Flannery O’Connor: Wise Blood
William Faulkner: Light in August
* The Navajo Night Chant
N. Scott Momaday: House Made of Dawn
Eugene O’Neill: The Iceman Cometh and Long Day’s Journey into Night
Marilynne Robinson: Housekeeping

Assignments

Every day at the beginning of class, submit an index card with a discussion question or comment on it. The questions can range from meta-questions about the whole era or about literature itself. You will write 7 one-page response papers and submit them to the class newsgroup. There will also be three formal papers, 4-6 pages each, due at humane intervals during the semester. Finally, the 15-page research paper is due on November 30. There may be a midterm and there will be a comprehensive final examination. As always, punctuation and grammar matter. Pop quizzes will also count towards your final grade. I do not generally accept late papers; when I do, a penalty of 20% per day will be assessed.

Paper draft conferences

Before each paper due date, you can schedule an appointment with me (for 15 to 20 minutes) and we will go over your drafts and generate suggestions for revision. Surviving students tell me that conferences are the best thing I do, so take advantage of it.

Course format

The course will be a bit of lecture and a lot of discussion. Therefore, your attendance and participation are necessary. So is your reading the assignments and being prepared to discuss the readings of the day. If your name shows up on the absent list three times, your final grade will drop half a step. If you know you are going to be absent, you are responsible for finding out what happened in class. Quizzes (they appear when I sense people are not doing the reading) missed cannot be made up.

Final exam

NO EARLY FINALS CAN BE GIVEN. Please don’t ask me to make any unfair exceptions.

Grades

Grades are brought to you exclusively by Excel. In borderline cases, your attendance and participation will determine the direction your grade takes. I follow the standard code:

Policies

Fairness

First and foremost, all students are entitled to the same fair treatment. I work very hard to honor both the individuality of each student and the integrity of the classroom community. To that end, I keep regular office hours, meet with students by appointment, and hold individual paper conferences. I also read and answer email regularly. Everyone is entitled to the same timely feedback and information regarding his or her progress in the course.

Because fairness is the most important aspect of creating an authentic learning space, please help me to be fair to you and your peers by not requesting exceptions to any policies, deadlines, or expectations. In other words, please don’t request an exception that should not pertain to everyone in the class.

Moreover, you are responsible for maintaining a positive learning environment in the class. Anyone who disrupts the class or undermines the hospitable environment of the class will first be warned, in writing, that the behavior must stop, and the student must confer with the teacher and a third party regarding the behavior and its reasons and remedies to agree on a course of action. After a written warning has been issued, any subsequent disruptive actions will result in an automatic one-letter grade drop per incident.

Governmental Policies

I adhere strictly to the policy regarding the legal rights of individuals with disabilities, as stated in the college catalog: "No otherwise qualified person with a disability in the United States...shall, solely by reason of...disability, be denied the benefits of, be excluded from participation in, or be subjected to discrimination under any program or activity receiving federal financial assistance." For further information, see http://www.uvsc.edu/asd/rights.html.

Responsible Scholarship

Please do your own thinking and your own work for the course; document your research carefully. According to department policy, anyone caught plagiarising will fail the course.

I also expect that the work you submit will be for this class only, which means that you do not submit any work for this class that you are also submitting for another class, or work that you submitted for another course in a previous semester (even if another instructor has given you permission to "double dip.").

Tentative Schedule

Date Reading assignment due for that day assignment
28 Aug. TH course introduction  
02 Sept. T T. S. Eliot: The Waste Land  
04 Sept. TH T. S. Eliot: Ash Wednesday  
09 Sept. T Hemingway: A Farewell to Arms  
11 Sept. TH Hemingway: A Farewell to Arms  
16 Sept. T Bellow: Henderson the Rain King  
18 Sept. TH Bellow: Henderson the Rain King Paper 1 due
23 Sept. T O’Connor: Wise Blood  
25 Sept. TH O’Connor: Wise Blood  
30 Sept. T Welty: "Why . . .the P.O., " "Circe," "A Shower of Gold"  
02 Oct. TH Welty: "June Recital" and "Sir Rabbit"  
07 Oct. T Welty: "Moon Lake" and "The Whole World Knows"  
09 Oct. TH Welty: "Music from Spain" and "The Wanderers"  
14 Oct. T Welty: more  
16 Oct. TH Fall break  
21 Oct. T Faulkner: Light in August  
23 Oct. TH Faulkner: Light in August  
28 Oct. T The Navajo Night Chant Paper 2 due
30 Oct. TH Momaday: House Made of Dawn essay
04 Nov. T Momaday: House Made of Dawn  
06 Nov. TH O’Neill: The Iceman Cometh  
11 Nov. T O’Neill: The Iceman Cometh  
13 Nov. TH O’Neill: Long Day’s Journey into Night  
18 Nov. T O’Neill: Long Day’s Journey into Night  
20 Nov. TH Cather: The Professor’s House  
25 Nov. T Cather: The Professor’s House paper 3 due
27 Nov. TH Thanksgiving holiday  
02 Dec. T Robinson: Housekeeping  
04 Dec. TH Robinson: Housekeeping  
09 Dec. T Eliot: Four Quartets Research paper due
11 Dec. TH Summing up  
16 Dec. T Final examination, 7. a.m.