Debra L. Thornton, Ph.D.
email: thorntde@uvsc.edu
office: LA 126c
office hours: 11:30-1:00 T TH, and by appointment
phone: 863-8573
English 3530
American Literature 1920-1970
You may wonder how the course differs from the lower-division survey you may have taken. This course attempts to give you more depth than an anthology, the staple of the lower-division course, provides. Reading a spectrum of representative book-length works and studying them carefully will help deepen your perspective of the literary period. Finally, you will have to do a major research paper with ample secondary sources for the course.
There are very few ground rules, and perhaps the only one you need to remember can be summarized in three or four words: "Read every word. Twice." A literary work gets its distinction from various other texts because, with repeated readings, the work accumulates meaning, and it bears further thought on the reader’s part. Great writers tend to be great thinkers, and their love of language is matched by the quality of their thoughts. Literature is timeless: a work that is too tied to its own time will always be a minor work however famous it may be in its day. Because you will be reading the products of people who love language on a word level, you should try to read on a word level. Similarly, their thoughts also merit your close attention and scrutiny. Finally, great literature elicits a response from the reader, so you will be writing about many of your perceptions about the pieces.
Texts
(* Texts that are available on the internet I did not order in book form)
* T.S. Eliot: Ash
Wednesday and Four Quartets
Ernest Hemingway: A Farewell to Arms
Saul Bellow: Henderson the Rain King
Willa Cather: The Professor’s House
Eudora Welty: Collected Short Stories
Flannery O’Connor: Wise Blood
William Faulkner: Light in August
* The Navajo Night Chant
N. Scott Momaday: House Made of Dawn
Eugene O’Neill: The Iceman Cometh and Long Day’s Journey into Night
Marilynne Robinson: Housekeeping
Assignments
Every day at the beginning of class, submit an index card with a discussion question or comment on it. The questions can range from meta-questions about the whole era or about literature itself. You will write 7 one-page response papers and submit them to the class newsgroup. There will also be three formal papers, 4-6 pages each, due at humane intervals during the semester. Finally, the 15-page research paper is due on November 30. There may be a midterm and there will be a comprehensive final examination. As always, punctuation and grammar matter. Pop quizzes will also count towards your final grade. I do not generally accept late papers; when I do, a penalty of 20% per day will be assessed.
Paper draft conferences
Before each paper due date, you can schedule an appointment with me (for 15 to 20 minutes) and we will go over your drafts and generate suggestions for revision. Surviving students tell me that conferences are the best thing I do, so take advantage of it.
Course format
The course will be a bit of lecture and a lot of discussion. Therefore, your attendance and participation are necessary. So is your reading the assignments and being prepared to discuss the readings of the day. If your name shows up on the absent list three times, your final grade will drop half a step. If you know you are going to be absent, you are responsible for finding out what happened in class. Quizzes (they appear when I sense people are not doing the reading) missed cannot be made up.
Final exam
NO EARLY FINALS CAN BE GIVEN. Please don’t ask me to make any unfair exceptions.
Grades
Grades are brought to you exclusively by Excel. In borderline cases, your attendance and participation will determine the direction your grade takes. I follow the standard code:
Policies
Fairness
First and foremost, all students are entitled to the same fair treatment. I work very hard to honor both the individuality of each student and the integrity of the classroom community. To that end, I keep regular office hours, meet with students by appointment, and hold individual paper conferences. I also read and answer email regularly. Everyone is entitled to the same timely feedback and information regarding his or her progress in the course.
Because fairness is the most important aspect of creating an authentic learning space, please help me to be fair to you and your peers by not requesting exceptions to any policies, deadlines, or expectations. In other words, please don’t request an exception that should not pertain to everyone in the class.
Moreover, you are responsible for maintaining a positive learning environment in the class. Anyone who disrupts the class or undermines the hospitable environment of the class will first be warned, in writing, that the behavior must stop, and the student must confer with the teacher and a third party regarding the behavior and its reasons and remedies to agree on a course of action. After a written warning has been issued, any subsequent disruptive actions will result in an automatic one-letter grade drop per incident.
Governmental Policies
I adhere strictly to the policy regarding the legal rights of individuals with disabilities, as stated in the college catalog: "No otherwise qualified person with a disability in the United States...shall, solely by reason of...disability, be denied the benefits of, be excluded from participation in, or be subjected to discrimination under any program or activity receiving federal financial assistance." For further information, see http://www.uvsc.edu/asd/rights.html.
Responsible Scholarship
Please do your own thinking and your own work for the course; document your research carefully. According to department policy, anyone caught plagiarising will fail the course.
I also expect that the work you submit will be for this class only, which means that you do not submit any work for this class that you are also submitting for another class, or work that you submitted for another course in a previous semester (even if another instructor has given you permission to "double dip.").
| Date | Reading assignment due for that day | assignment |
| 28 Aug. TH | course introduction | |
| 02 Sept. T | T. S. Eliot: The Waste Land | |
| 04 Sept. TH | T. S. Eliot: Ash Wednesday | |
| 09 Sept. T | Hemingway: A Farewell to Arms | |
| 11 Sept. TH | Hemingway: A Farewell to Arms | |
| 16 Sept. T | Bellow: Henderson the Rain King | |
| 18 Sept. TH | Bellow: Henderson the Rain King | Paper 1 due |
| 23 Sept. T | O’Connor: Wise Blood | |
| 25 Sept. TH | O’Connor: Wise Blood | |
| 30 Sept. T | Welty: "Why . . .the P.O., " "Circe," "A Shower of Gold" | |
| 02 Oct. TH | Welty: "June Recital" and "Sir Rabbit" | |
| 07 Oct. T | Welty: "Moon Lake" and "The Whole World Knows" | |
| 09 Oct. TH | Welty: "Music from Spain" and "The Wanderers" | |
| 14 Oct. T | Welty: more | |
| 16 Oct. TH | Fall break | |
| 21 Oct. T | Faulkner: Light in August | |
| 23 Oct. TH | Faulkner: Light in August | |
| 28 Oct. T | The Navajo Night Chant | Paper 2 due |
| 30 Oct. TH | Momaday: House Made of Dawn | essay |
| 04 Nov. T | Momaday: House Made of Dawn | |
| 06 Nov. TH | O’Neill: The Iceman Cometh | |
| 11 Nov. T | O’Neill: The Iceman Cometh | |
| 13 Nov. TH | O’Neill: Long Day’s Journey into Night | |
| 18 Nov. T | O’Neill: Long Day’s Journey into Night | |
| 20 Nov. TH | Cather: The Professor’s House | |
| 25 Nov. T | Cather: The Professor’s House | paper 3 due |
| 27 Nov. TH | Thanksgiving holiday | |
| 02 Dec. T | Robinson: Housekeeping | |
| 04 Dec. TH | Robinson: Housekeeping | |
| 09 Dec. T | Eliot: Four Quartets | Research paper due |
| 11 Dec. TH | Summing up | |
| 16 Dec. T | Final examination, 7. a.m. |